Herman de vries écritures
Presented by Galerie Aline Vidal, the exhibition écritures brings to Paris a selection of text-based works by Dutch artist Herman de vries, on view at Association Noemi – Espace Brownstone. Known for his philosophical and nature-driven approach, de vries explores the visual and experiential power of language through minimalist compositions that dissolve hierarchy—symbolized by his longstanding refusal to use capital letters.

The exhibition highlights his transformation of language into image. From reconfiguring philosophical texts by Bakunin and Wittgenstein, to turning plant names or river names into landscapes, de vries invites us to read the world, not through analysis, but through presence. His large-scale word drawings—like joy, repeated tens of thousands of times in colored pencil—become meditative mantras. For de vries, writing becomes a visual philosophy and a contemplative act.

Herman de vries
German contemporary artist
Herman de vries (stylized lowercase; born July 11, 1931, in Alkmaar, Netherlands) is a pioneering figure in environmental and conceptual art, whose deeply nature-centric practice melds science, philosophy, and minimalist aesthetics. Trained initially as a botanist and horticulturist, he embraced art in the early 1950s and became a founding member of the Dutch Nul group, engaging with the international ZERO movement through his early monochromes and collages. Now living in Eschenau, Germany, de vries continues his lifelong inquiry: collecting, categorizing, and subtly arranging fragments of nature to heighten our awareness of its inherent complexity and beauty, with a creative ethos rooted in Zen, Taoism, and natural philosophy.

Explore Herman de vries’s other artworks
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