Cara a Cara
In a bold continuation of the Cara a Cara series, the Fondation Brownstone brought together three photographers—Antoine d’Agata (France), Leandro Feal (Cuba), and Alejandro González (Cuba)—in an exhibition that examined intimacy, urban life, and the fragility of the human condition.
D’Agata’s intense and immersive work, known for its uncompromising focus on marginal bodies and psychic states, met the lens of Feal, who documents Havana’s emotional landscapes and shifting social codes. González, for his part, brought a quieter but equally charged perspective, exploring spaces of absence and memory.
Cara a Cara was not a comparison, but a collision of worlds and visions—raw, reflective, and unapologetically human. The exhibition underscored the power of photography to trace both the seen and the invisible, offering a layered reflection on personal and political realities across different contexts.